WRITER: G. Willow Wilson
ARTIST: Takeshi Miyazawa
COLOR ARTIST: Ian Herring
LETTERER: Joe Caramagna
EDITORS: Charles Beacham, Sana Amanat, Axel Alonso
“I gave him power over me – power over what I do, power over my identity. No more.” (Kamala Khan, Ms. Marvel Vol. 3 #15)
“You think being tough is the same as being mean. I thought you were this romantic hero. But you’re just a villain. You’re just a bad guy’s lackey in a pair of nice shoes.” (Kamala Khan to Kamran, Ms. Marvel Vol. 3 #15)
“I’ve faced giant robots, bird-men, Viking dudes…never a broken heart. I don’t know how to fight this feeling. I’m just glad I don’t have to fight it alone.” (Kamala Khan, Ms. Marvel Vol. 3 #15)
The story continues where the previous issue left off, with Kamala facing the three Inhumans who have kidnapped her: Kamran, Kaboom, and Lineage. The latter is very obviously the leader of this group. This group of Inhumans wants Kamala to join them and it’s revealed that they have resorted to kidnapping to try to force her to do so. Kamala disagrees, fights back, and escapes with her friend Bruno.
Is it possible to write a metaphor to address victim blaming and rape culture in a positive way? Yes, it is, and the creators of this issue do it wonderfully. There are multiple moments in this issue that clearly reference and comment on situations in which victims are blamed for harm that others do to them; this issue challenges the victim-blaming narrative. Kamala’s actions in the previous two issues were the perfect set-up that would lead some people to wrongly conclude that a victim deserved to be raped or otherwise taken advantage of. (She went out with the boy willingly, she was out in the middle of the night, she disobeyed her parents, and so many of the things we hear.) In this story, Kamran uses victim-blaming language to make it seem that he did not do anything wrong in deceiving Kamala by offering to give her a ride to school and then taking her to their headquarters instead. Anyone who’s ever heard these types of arguments will recognize the phrases that Kamran uses, to try to guilt the victim into not holding the wrongdoer responsible for their actions. Kamala doesn’t believe him. The story is squarely on Kamala’s side, and that’s something I really love.
There’s another reason I really appreciated the direction that the creators decided to go with this story line. They had the courage to address and challenged an assumption that some parents have: that their children should automatically be able to relate more to someone of their own background rather than someone of a different background. The sexuality of Muslim girls and women is much discussed but very seldom do we get to see story in which a Muslim teenage girl gets to make her own decisions without being blamed for others’ actions towards her. Often, these stories are told in a way that privilege cisgender men: either privileging white men by showing them as the real hero of the story with the Muslim woman as a side character who is overly sexualized and needs rescuing, or privileging Muslim men by challenging stereotypes about them while leaving stereotypes about Muslim women an unchallenged part of their religion and culture. Muslim girls and women do face sexism, and it was relatable to see a story that acknowledges that and challenges of the common arguments put forth as apart of male privilege: the idea that women belong to men of their own race or religion. In this story, we see the situation from Kamala’s perspective, and she is allowed to make her own decisions without being blamed for the actions of others who try to hurt her. When she realizes the situation she’s in, she realizes that the way Kamran has treated her is unfair. She is portrayed as strong and confident.
G. Willow Wilson’s writing addresses the theme of this issue and this arc in a nuanced and sympathetic way that will have readers relating to Kamala and cheering for her to succeed. We want to hug her to make the sadness go away and simultaneously laugh with her at the jokes (including references to Star Trek and Star Wars). Takeshi Miyazawa’s artwork in this story arc is really great, showing the character’s emotions through the artwork really well. The various situations (such as conversations between characters and action scenes) are both really well done. The characters and backgrounds are both detailed. Ian Herring’s colors are really bright and fun; they’ve been a constant for this series, even when the line work artist has changed, and it’s so fitting for Kamala’s story.
The end of the issue sets up the storyline that will be the focus of issues #16 to #19, Ms. Marvel’s Last Days story arc. Several Marvel series have Last Days story arcs that tie in to the Secret Wars event; as might be expected, Last Days shows what the heroes were doing in during the last days before the Marvel Multiverse crashed and burned iridescently.
I look forward to each issue of Ms. Marvel with the same anticipation I felt about J.K. Rowling’s Harry Potter series – perhaps even more. I’m very much looking forward to the conclusion of this volume and the beginning of the next volume of the Ms. Marvel series.
[Originally Written: 23 August 2015]
 Wilson, G. Willow; Miyazawa, Takeshi; Herring, Ian; et al. Ms. Marvel Vol. 3 #15 “Crushed, Part Three”. Marvel, 13 May 2015.
 Ms. Marvel Vol. 3 #15.
 Ms. Marvel Vol. 3 #15.
 EAS. Book Review: Ms. Marvel Vol. 3 #14 “Crushed, Part Two”. Homeworld Journal, 30 May 2016. https://homeworldjournal.wordpress.com/2016/05/30/book-review-ms-marvel-vol-3-14-crushed-part-two/